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'Gold digging in Australia 1852: fair prospects'

This is a watercolour, the second of a pair, measuring 20.2 cm x 26.4 cm, by Samuel Thomas Gill (1818-80), a famous colonial artist. It shows two gold miners standing near a mine shaft, inspecting a handful of gold, at the edge of a creek. One of the men is leaning on a pick and a panning dish is lying on the ground nearby. ...

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'Hobson's Bay Railway Pier, Melbourne', 1878

This is a 37.2 cm x 52.5 cm sepia-toned photograph of Station Pier at Sandridge (now Port Melbourne), Victoria. About 60 people stand in the foreground looking up at what must be the photographer, Charles Nettleton, exposing his photographic plate. Various ships, some of which are steam powered, can be seen lining both ...

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'Hut door', 1850s

This is a circular pencil drawing on coloured scraper board, measuring 22.7 cm in diameter. It was drawn in the 1850s by Samuel Thomas Gill (1818-80). It depicts a European family of mother, father and small daughter interacting with an elderly Indigenous Australian man and two Indigenous children in front of the door of ...

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'Jitterbugging in Negro juke joint', 1939

This is a black-and-white photograph showing African Americans at a roadside dance hall outside Clarksdale in Mississippi, USA, one Saturday evening in November 1939. Couples are jitterbugging to music from a jukebox while other people, mostly men, are standing around. The photograph was taken by Marion Post Wolcott.

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'John Batman's famous treaty with the blacks', c1914

This is a black-and-white engraving, measuring 40.4 cm x 57 cm, made by George Rossi Ashton (1851-1942) in about 1914. It depicts John Batman (1801-39) and an elderly Indigenous Australian man leaning over what is probably a treaty document on the decayed trunk of a large fallen tree. They are surrounded by 16 men, many ...

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'Lambing station, Challicum', c1850

This is a watercolour by Duncan Cooper that shows a lambing station at Challicum, a sheep run west of Ballarat in western Victoria. A man, who may be the hut keeper, is shown standing next to a slab hut and a campfire. In the distance, on the left of the painting, is the lone figure of a shepherd tending his flock. Several ...

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'Landing negroes at Jamestown from Dutch man-of-war, 1619'

This is a black-and-white illustration showing how the well-known American artist Howard Pyle (1853-1911) imagined the landing of the first Africans at Jamestown in the colony of Virginia nearly 300 years after the historical event. Pyle depicts 20 emaciated captives kneeling or sitting on the ground, guarded by men with ...

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'License inspected, Forrest Creek', 1853

This is a hand-coloured lithograph of 'License [licence] inspected, Forrest [Forest] Creek', a watercolour by S T Gill. It was printed as a plate in part one of 'The Victoria gold diggings and diggers as they are', published in London in 1853. The drawing depicts a man holding a rifle in one hand and a mining licence in ...

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'Meeting of Major Mitchell and Edward Henty, Portland Bay, 1836'

This is a photo-engraving, approximately 52.5 cm x 69.0 cm in size, depicting two men in front of a farm greeting a party of visitors. It shows Edward Henty shaking the hand of Major Thomas Mitchell, who is on horseback. They are watched by a man standing on the left-hand side and by four members of Mitchell's party on ...

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'Men's huts, Challicum, 1848'

This is a watercolour by Duncan Cooper that depicts the huts provided for male farm labourers at Challicum, a sheep run west of Ballarat in western Victoria. In the foreground is a creek spanned by a narrow and rudimentary bridge weighted with rocks. The watercolour, which measures 13.4 cm x 19.4 cm, is the nineteenth watercolour ...

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'Migrant mother', 1936

This is one of the most famous photographs of the Great Depression in the USA. It shows Florence Owens Thompson aged 32 huddled together with three of her seven children (the baby is obscured). The family as a whole are described in the Library of Congress catalogue as 'migrant' (ie itinerant) pea pickers in California ...

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'Miyuki: the imperial outing and hunt', 1600-10

This is a pair of six-fold screens, painted during the Momoyama period (1573-1615) in Japan, depicting chapter 29 of the epic Japanese novel ‘Tale of Genji’. The screens are shown as an enlargeable image. Text onscreen gives detailed information on the history of the novel, the period it was written and an extensive visual ...

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'Night refuge at the Immigrants' Home', c1873

This is a black-and-white print that depicts a group of men taking refuge at the Immigrants' Home in Melbourne. The men, most of whom are seated on wooden benches, are shown in a large common room. They are occupied by an activity that may be the picking of oakum. Sacks either hang from or have been placed on high shelves. ...

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'Old Negro (former slave) with horn with which slaves were called', 1939

This is a black-and-white photograph showing an old African American man sitting in a doorway and holding a horn once used to summon slaves to work at sunrise. The photograph was taken near Marshall in Texas, USA, by photographer Russell Lee.

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'Overlanders', 1865

This is a coloured print, measuring 19.4 cm x 25.2 cm, painted by the famous colonial artist Samuel Thomas Gill (1818-80) and published in 'The Australian Sketchbook' in 1865. It shows two drovers watering their horses on a hilly trail, with a large herd of cattle moving into the distance. Also depicted are the drovers' ...

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'Panorama of Challicum, No. I', c1850

This is a watercolour measuring 15.8 cm x 24.4 cm showing gently undulating grassland and narrow bands of trees. A group of cows is being herded by a mounted man to a lower area behind a hill, possibly towards a small group of huts that can be glimpsed in the middle ground. The artist, Duncan Cooper, included this painting ...

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'Panorama of Challicum, No. II', c1850

This is a watercolour measuring 16 cm x 24.5 cm showing the Victorian squatting runs Challicum and Yalla-y-poora from a south-south-westerly viewpoint. In the midground is the yellow grassland of the Fiery Creek plains, gum trees dot the countryside and the distant bluish mountain is Mount Weejort. Two emus are shown in ...

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'Panorama of Challicum, No. III', c1850

This is a watercolour measuring 16 cm x 24.5 cm showing the Victorian squatting run Challicum, from a south-westerly viewpoint. A team of four bullocks, pulling a single-axle wagon loaded with fuel and rough bush timber, is centred in front of a large forest. Two unidentified mountains or hills are on the horizon. The artist, ...

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'Panorama of Challicum, No. IV', c1850

This is a watercolour measuring 15.9 cm x 24.3 cm showing yellowed pasture backed by gum trees. A herd of cows with calves is grazing both in the foreground fields and the background timber. A small hill, part of the Challicum Hills, rises from the trees on the right. The artist, Duncan Cooper, included this painting as ...

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'Panorama of Challicum, No. IX', c1850

This is a watercolour measuring 15.7 cm x 24.3 cm showing the vast yellow-and-green Challicum plains. In the distance a flock of sheep, watched by a shepherd and dog, is moving into temporary wooden yards. Among gum trees, to the right of the yard, is the homestead. The artist, Duncan Cooper, included this painting as the ...